Koom Valley holds important significance in the history of Discworld.
So important that not only is it a place but its name can be used to infer a
time and a sentiment that can be carried hundreds of miles across the Disc and
used as a grudge, harboured for thousands of years. It was the place when a
great and bloody battle took place when the trolls ambushed the dwarves.
Or the dwarves ambushed the trolls.
Or, perhaps they all ambushed each other.
Anyway, the real reason why Koom Valley happened has been lost in the mists
of time but as far as Commander Sam Vines of the Ankh-Morpork City Watch is
concerned it's about to kick off again right on his streets. All because
someone, somewhere isn't quite telling the truth about a murder of an important
dwarf.
A murder investigation is never an easy one when Politics are involved and,
of course, things aren't always what they seem. Pressure is applied to Vimes
from all sides: there's the political urgency to find 'a' (not necessarily
'the') culprit; the need to keep the Watch in order to maintain the peace and
the frictions caused by the new vampire lance corporal. But even more important
than all of those is his personal pledge to ensure that he is at home by six
o'clock every night - no matter what - to read to his son his favourite bedtime
book, Where's My Cow?
Things could only be slightly worse if there was a millennia-old demon
searching for a host to wreak its vengeance upon the waking World. Ah, wait …
there it is.
There's not much a fan of Pratchett can say about the quality of a Discworld
novel to entice a virgin reader to take that first step. There's probably less a
reviewer can try to come up with that hasn't been said twenty-nine times before.
Not until that moment when said author goes completely off the rails.
Yes, there has been whinging a-plenty about how, 'they're not the same as
they used to be,' and other such prosaic critiques but surely half of the
exhilarating freshness of the earlier novels were their originality? With
Thud! being the 30th Discworld novel (and that does not include the
three for younger readers, the numerous collaborations for the 'Science' books,
almanacs and graphic novels) the
flat-world-on-the-back-of-four-elephants-on-the-back-of-a-giant-turtle-swimming-through-space
has become ensconced in our (sub)culture so that its own countries, cultures,
species and characters have become a part of the norm. Immediately that takes
away a huge chunk of the series' original appeal to avid readers.
But to this lowly fanboy, Pratchett's writing still captures the same
intelligent wit as ever. His sublime references to our 'real' World weave
through the narrative as seamless afterthoughts allowing the reader the luxury
of not feeling alienated should a reference go over head-level.
Pratchett has touched upon so many contentious topics of today. How much you
read into them is up to you and your level of knowledge but I saw comparisons to
mirrors to the Middle East crises, immigration, culture subversion and
acquiescence, media interference, The Da Vinci Code, and good parenting
practices.
Previous knowledge of the characters is always an easier way to get into a
story (and lack of, thereof, is always a good reason to stay away) yet Pratchett
always makes a good effort in keeping the old favourites fresh enough to keep
the regulars amused and detailed enough to not lose the interest of any new
readers. Although they are set in a fantasy environment each character is set
with real, believable values and emotions.
Pratchett's other little penchant for introducing new secondary characters
still pertains. These always have a knack of stealing the limelight and, you
know, are bound to resurface in later novels. There is the new lance constable -
a vampire who has vowed herself off the blood but still can't help making
everyone nervous. There's a meek government inspector who becomes a raging
berserker. Perhaps more endearing is Vimes' personal disorganiser; an upgraded
model who Vimes actually finds some practical uses for.
Pratchett is still on solid territory with his eclectic characters of the
City Watch providing plenty of laughs on each page and moulding a tale that
demands each page get turned until the utterly non-disappointing finale and a
grand cameo from everyone's favourite reaper.