Starring: Jon Heder
Cert: PG
Napoleon (Heder) lives in a small American town with his
Grandmother and brother where, at his high school, he is a social pariah. For
obvious reasons too. Even though he is the ‘hero’ of this piece, and a nice
enough chap, you probably wouldn’t want to know him if he was at your school
either. He sports a dodgy ginger affro, a permanent expression of tedium and a
penchant for lying about his abilities and extra-curricula activities; he’s
basically the ultimate nerd. And so is his brother, Kip, who spends all day
talking to his internet girlfriend. And so is his uncle who wishes it was still
the 1980’s. And so is his best friend, Pedro, who has a moustache. And so is his
love interest who sells friendship bracelets door-to-door.
Napoleon Dynamite is less a film but more a collection of sketches filmed
in a rough documentary style. Practically every character is a ‘loser’ in his or
her own right; all the leading protagonists are either geeks, bullies, both or
self-centred jocks. They are all played so straight that you cannot help but get
involved with the mundanity and bizarity of their lives.
From the trials of getting the pet llama to eat meatloaf to running a
successful campaign for Pedro for class president, strangeness is around every
corner from hair loss to time machines and a climax that evokes the same
gut-wrenching expectation of embarrassment as King of
Comedy.
Overall it’s a tale of triumph over adversity where these geeks and
freaks are capable of overcoming the jibes of their tormentors, gaining respect
from their peers and achieving their ‘happily ever after’ without doing anything
other than simply being themselves. There’s hope for us
all.
The features are fairly standard with an audio
commentary by co-writer/director, Jared Hess, and Heder which offers a lot of
behind the scenes info and stories but is delivered at an almost monotone drawl
which becomes a little hard to concentrate on after a while. Then there are a
selection of deleted scenes; some of which you can see why they were left out
but still contain a laugh or two especially the kick-ball
confrontation.
Then there’s a making of featurette with cast interviews and general
backslapping that doesn’t really add much but is interesting to see what these
actors are really like.
Napoleon Dynamite is a truly genius film that I would rate with This Is
Spinal Tap where, even though the characters are so extremely odd and over
the top, the straightness of their delivery, excellent dialogue and simple
production makes them all relatable to some degree and when the feel good
denouement arrives I defy anyone not to walk away with surprised
satisfaction.